Director Mackenzie is reimagining William Shakespeare's Macbeth by relocating the setting to the behind-the-scenes environment of a children's television show [1].
This production departs from the traditional medieval Scottish backdrop to explore power dynamics within a contemporary media setting. By shifting the venue to a cutthroat realm of television production, the play examines how ambition and betrayal manifest in modern professional hierarchies.
The production is currently underway in Melbourne, Australia [1]. Mackenzie said the goal was to present a production as you’ve never seen it before [1]. The play replaces the rugged highlands of Scotland with the high-pressure atmosphere of a studio, where the struggle for dominance occurs among cast and crew members rather than generals and royalty.
Critics have highlighted the bold nature of the shift. The adaptation maintains the core themes of the original tragedy—guilt, greed, and the corrupting nature of power—but applies them to the specific stresses of the entertainment industry [1]. The juxtaposition of a children's show's cheerful exterior with the internal malice of the characters serves as a central tension in the work.
This approach to the Bard's work follows a broader trend of modernizing classics to make them more accessible to contemporary audiences. By grounding the supernatural elements and political intrigue in a recognizable workplace, the production aims to highlight the timelessness of Shakespeare's observations on human nature [1].
“Macbeth as you’ve never seen it before”
The relocation of Macbeth to a television studio reflects a growing trend in theatrical direction to use 'corporate' or 'industry' settings to mirror the power struggles of the original texts. By placing a tragedy of state in the context of a children's program, the production emphasizes the contrast between public image and private ambition.



